Electrolyte: strongly crafted gig theatre

As the theatre door opens the group are testing their instruments, bantering like close friends. The audience is greeted warmly as they enter, creating the atmosphere of going to see a friend play at an open mic night. Continue reading

Handbagged: The Queen and the Iron Lady head-to-head

You know it’s a good play when you almost forget that you’re meant to be taking notes. And Handbagged is a very good play. By imagining what might have happened in the weekly meetings between the Queen and the Iron Lady, Moira Buffini has created a play that is engaging, funny, and best of all, great fun to watch. Continue reading

The Trick: Speaking to Angels

We do not always want to exorcise our ghosts. Not all our ghosts frighten us. Some ghosts are our angels, our protectors, too much of a comfort for us to let them go. In this, too, lies their frightening potential. This is the quiet tragedy of Mira (Lachele Carl), the elderly protagonist of Eve Leigh’s play The Trick. Continue reading

Missing: Why might we rot?

Thumping beats, heavy panting and garbled speech frames Gecko’s new show, Missing. The multi-award winning and internationally acclaimed physical theatre company dive head first into the sensual, visceral, raking sounds of the psyche in another piece that defies intellectual trappings by speaking to us via the non-verbal seventy per cent. Continue reading