Fresh from his run at London’s Charles Dickens Museum, James Swanton (Irving Undead; Dracula; Sikes & Nancy) returns his wildly popular rendition of Dickens’ Christmas books to York Medical Society for another sell-out run. Continue reading
York Theatre Royal’s pantomime dame retired last year after 40 years of extraordinary success. Given what Berwick Kayler’s panto must have brought to the theatre’s coffers, I’d imagined this loss sparking a panicky but exciting meeting, with acres of sugar paper dedicated to mapping out the fresh start. How to sell loyal fans a new dame? Continue reading
Presented in the traditional style of a gouache Victorian Christmas card, Vienna Festival Ballet’s The Nutcracker fills the stage in York’s Grand Opera House with the height of Caucasian kitsch. Continue reading
Pick Me Up’s big winter show of 2019 at York’s Grand Opera House is a festive extravaganza – Leslie Bricusse’s Scrooge The Musical from 1992. Continue reading
London-based company Ballet Black, celebrating their eighteenth year, return to York Theatre Royal following last year’s successful debut with a Triple Bill featuring INGOMA, contrasting dramatic and inventive storytelling in a lively showcase of modern ballets. Continue reading
Marking the return of in-house productions to the Studio, York Theatre Royal Associate Artist John R. Wilkinson – Genesis Future Director Award 2018 (Young Vic) – directs internationally acclaimed playwright Athol Fugard’s deceptively simple domestic drama Hello and Goodbye. Continue reading
From making the perfect sherry trifle, waging war over cakes through to the gender politics of sweets and the rigid rules of restaurant dining, Nigel Slater’s Toast is a moving and evocative tale of love, loss and… toast. Continue reading
A York premiere and launch production for new theatre company Rigmarole, Andrew Bovell’s award-winning 2008 play When the Rain Stops Falling addresses the most important issue of our times: “Are we prepared to pass on the damage from the past to our children?” Continue reading
Adapted by Stephen Mallatratt and directed by Robin Herford, Susan Hill’s 1983 ghost story The Woman in Black creeps the boards at York Theatre Royal, in a production first seen at the Stephen Joseph Theatre in Hill’s home town of Scarborough. Continue reading
”Life is waiting for you. Hang on in there if you can. Life is always worth it.” English Touring Theatre and Sheffield Theatres present Reasons To Stay Alive, the first adaptation of best-selling author Matt Haig’s memoir on depression, imagined for the stage by Jonathan Watkins with text written by April De Angelis. Continue reading