Ballet Black: INGOMA, PENDULUM and CLICK!

London-based company Ballet Black, celebrating their eighteenth year, return to York Theatre Royal following last year’s successful debut with a Triple Bill featuring INGOMA, contrasting dramatic and inventive storytelling in a lively showcase of modern ballets. Continue reading

Hello and Goodbye: “When the time comes…”

Marking the return of in-house productions to the Studio, York Theatre Royal Associate Artist John R. Wilkinson – Genesis Future Director Award 2018 (Young Vic) – directs internationally acclaimed playwright Athol Fugard’s deceptively simple domestic drama Hello and Goodbye. Continue reading

Nigel Slater’s Toast: a sweet treat to pass along

From making the perfect sherry trifle, waging war over cakes through to the gender politics of sweets and the rigid rules of restaurant dining, Nigel Slater’s Toast is a moving and evocative tale of love, loss and… toast. Continue reading

The Woman in Black: the wonder of mischievous light and shadow

Adapted by Stephen Mallatratt and directed by Robin Herford, Susan Hill’s 1983 ghost story The Woman in Black creeps the boards at York Theatre Royal, in a production first seen at the Stephen Joseph Theatre in Hill’s home town of Scarborough. Continue reading

Reasons To Stay Alive: theatre review

”Life is waiting for you. Hang on in there if you can. Life is always worth it.” English Touring Theatre and Sheffield Theatres present Reasons To Stay Alive, the first adaptation of best-selling author Matt Haig’s memoir on depression, imagined for the stage by Jonathan Watkins with text written by April De Angelis. Continue reading

Under Three Moons: models for male friendship

“I bet when they get older they’re going to look back on tonight and say, that was a night that was, by that fire, that was a night.” Spanning half a lifetime, Daniel Kanaber’s new play Under Three Moons takes place on three nights across three decades of two friends’ lives. Through the lense of a friendship through multiple comings of age, this succinct fringe script explores how men relate to each other today. From a school trip to France as teenagers, to a surf shack in their twenties, to Christmas in their thirties, Mike and Paul meet up and talk into the night. From boyhood to manhood to fatherhood, these are the nights they share. Continue reading

Phoenix Dance Theatre: The Rite of Spring & Left Unseen

“The Rite just has to be shocking. If it doesn’t shake you to the core, if it doesn’t make you feel that the guts of the earth are opening up, or at least that the Royal Albert Hall is being immolated in orchestral violence, then the performers just ain’t doing it right.” – Tom Service, BBC Proms 2013 Continue reading

A View From The Bridge: “How dark the room became when he looked at me”

Directed by Juliet Forster (Romeo & Juliet and A Midsummer Night’s Dream for Shakespeare’s Rose Theatre; Sense and Sensibility for Theatre by the Lake), Arthur Miller’s potboiler case study of commuco-production between York Theatre Royal and Royal & Derngate Northampton. Continue reading

Black Men Walking: theatre review

Black Men Walking is an Eclipse Theatre Company production directed by Dawn Walton and written by composer, rapper and writer Testament. It is an original, exciting and enlightening piece of theatre, which aims to resurface 500 years of forgotten Black-British history while uncovering the ever-present racism of contemporary Britain. Continue reading