Category Archives: Performing arts

Mad Alice: “I was a witch that day”

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Inspired by local landmark Mad Alice Lane and dedicated to her brother, Victoria Delaney’s new original play Mad Alice investigates the local legend we all think we know, but cannot accurately place in history. Opening in the ‘Mucky Duck’ (White Swan Inn) in 1825, an ominous electronic soundscape threaded with rumours and whispers plays as the cast creep on stage one by one, immediately establishing palpable dynamics between them with the slightest of glances. Continue reading →

Irving Undead: “a haemorrhage of gaslight”

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James Swanton (Double Date; Frankenstein’s Creature) is the master of the one-man show, here finally devoting a captivating ninety-minute feat of physical and emotional character study to his long-time fascination, the Victorian actor Henry Irving. Continue reading →

A View From The Bridge: “How dark the room became when he looked at me”

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Directed by Juliet Forster (Romeo & Juliet and A Midsummer Night’s Dream for Shakespeare’s Rose Theatre; Sense and Sensibility for Theatre by the Lake), Arthur Miller’s potboiler case study of commuco-production between York Theatre Royal and Royal & Derngate Northampton. Continue reading →

Black Men Walking: theatre review

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Black Men Walking is an Eclipse Theatre Company production directed by Dawn Walton and written by composer, rapper and writer Testament. It is an original, exciting and enlightening piece of theatre, which aims to resurface 500 years of forgotten Black-British history while uncovering the ever-present racism of contemporary Britain. Continue reading →

Malory Towers: Grade A Girl Power

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Where to begin? The present: to a mixture of current and nineties pop songs, this year’s bad guys assemble outside the Head Teacher’s office in a British secondary school. Quickly, character traits and dynamics are established before a pair of girls fighting over a diary sends one into unconsciousness, starting off this adaptation of Malory Towers with an Oz-like dream framework. Continue reading →

The Night Watch: our quietest battles

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Adapted by Hattie Naylor and directed by Alastair Whatley, The Night Watch is a fairly faithful adaptation of Sarah Waters’ World War II domestic romance novel, co-produced by York Theatre Royal and Original Theatre Company. Continue reading →

Irving Undead: Resurrecting the strangest actor who ever lived

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This October, deep in the chambers of York Medical Society, a meeting of two minds. Unlikely for its reach across many centuries, and yet inevitable for the kindred nature of the characters in question. If you have ever, or never, hungered to hear from the restless spirit of the father of horror, your time is come. Continue reading →